This concept generalizes to any series cascade of linear filters. If I have a collection of linear filters with frequency responses $H_1(f), H_2(f), H_3(f), \ldots$ that are applied in series (i.e. an input signal is applied to $H_1$, its output is applied as the input to $H_2$, and so on), that series cascade could be replaced by a single filter whose overall frequency response is equal to $H(f) = H_1(f)H_2(f)H_3(f) \ldots$. This follows directly from the properties of LTI systems.
With that said, I'm not too familiar with some of the audio EQ terminology that you're using, so I'm not sure. If you have two filters with the same frequency response apart from a constant gain factor, like:
$$
H_1(f) = k_1 S(f)
$$
$$
H_2(f) = k_2 S(f)
$$
where $S(f)$ defines the shape of the frequency response, then the frequency response of the cascade of the two filters is:
$$
H(f) = H_1(f) H_2(f) = k_1 k_2 S^2(f)
$$
Note the squaring of $S(f)$; this is an important distinction. Applying two filters in series with the same frequency response shape (apart from a constant) will have a different effect than if you just created one similar filter with a different gain. Specifically, due to the squaring of $S(f)$, the passband will experience twice the ripple and the stopband will experience twice the attenuation than you would observe had you just used one of the two filters.